Shot entirely from the point of view of the security cameras. Adam Rifkin’s LOOK follows several interweaving, storylines over the course of a random week in a random city....
Shot entirely from the point of view of the security cameras. Adam Rifkin’s LOOK follows several interweaving, storylines over the course of a random week in a random city. LOOK is a film about the things that people do when they don’t know they’re being watched.
